1 00:00:18,410 --> 00:00:19,080 HEY, LIEU. 2 00:00:30,980 --> 00:00:32,840 YEAH, HERE WE GO. 3 00:00:42,980 --> 00:00:44,940 YOU ALL RIGHT, LIEU? 4 00:00:44,980 --> 00:00:46,110 FINE. LET'S GO. 5 00:00:46,150 --> 00:00:47,150 YOU SURE? 6 00:00:47,180 --> 00:00:48,280 I SAID I'M FINE. 7 00:01:00,250 --> 00:01:03,690 COME ON. GO AGAIN? 8 00:01:13,580 --> 00:01:14,980 YOU ALL RIGHT? 9 00:01:15,010 --> 00:01:17,910 YEAH. YEAH, I'M GETTING USED TO IT. 10 00:01:19,410 --> 00:01:20,140 LET'S GO. 11 00:02:36,740 --> 00:02:37,710 HEY, BOBBY. 12 00:02:37,740 --> 00:02:39,310 HOW'S IT GOING, JAMES? 13 00:02:39,340 --> 00:02:41,080 THAT FIRE LAST WEEK ON 7th STREET... 14 00:02:41,100 --> 00:02:42,470 A FIREMAN DIED, RIGHT? 15 00:02:42,500 --> 00:02:44,870 THE FIRE MARSHAL DECLARED IT AN ARSON. 16 00:02:44,900 --> 00:02:47,530 THE M.E. MADE THE FIREMAN'S DEATH A HOMICIDE. 17 00:02:47,570 --> 00:02:48,870 SO IT'S OUR CASE? 18 00:02:48,900 --> 00:02:51,300 THE INVESTIGATING MARSHAL HAS AN INFORMANT 19 00:02:51,340 --> 00:02:53,810 WHO CAN GET TO THE TORCH 20 00:02:53,840 --> 00:02:55,910 THROUGH A BARTENDER WHO'S A LOWER END DRUG DEALER. 21 00:02:55,940 --> 00:02:58,940 THE FIRE MARSHAL REACHED OUT TO THE CHIEF OF DETECTIVES 22 00:02:58,970 --> 00:03:01,400 FOR AN UNDERCOVER TO BUY INTO THE BARTENDER. 23 00:03:01,440 --> 00:03:02,580 THEY'RE SENDING SOMEONE OVER. 24 00:03:02,600 --> 00:03:03,930 VINNY GRECO'S THE INFORMANT? 25 00:03:03,970 --> 00:03:04,930 WHO SAYS? 26 00:03:04,970 --> 00:03:06,470 BOGIES AT 3:00. 27 00:03:09,400 --> 00:03:11,370 WHO ARE WE GETTING ON UNDERCOVER? 28 00:03:11,400 --> 00:03:13,100 THE CHIEF OF Ds PUT IT TOGETHER. 29 00:03:13,140 --> 00:03:14,440 GENTLEMEN! 30 00:03:14,470 --> 00:03:16,870 JERRY HAUSER, FIRE MARSHAL'S OFFICE. 31 00:03:16,900 --> 00:03:19,470 ARTHUR FANCY, BOBBY SIMONE, JAMES MARTINEZ. 32 00:03:19,500 --> 00:03:21,970 HE SAYS YOU TWO KNOW EACH OTHER. 33 00:03:22,000 --> 00:03:23,370 HOW'S IT GOING, VINNY? 34 00:03:23,400 --> 00:03:25,030 WE'RE LIKE CHILDHOOD CHUMS. 35 00:03:25,070 --> 00:03:28,030 HE SAYS HE'S GOT A WAY TO THE TORCH? 36 00:03:28,070 --> 00:03:30,430 NO. I CAN GET YOU TO THE BARTENDER 37 00:03:30,470 --> 00:03:32,630 WHO GOT THE TORCH BURN MEDICINE. 38 00:03:32,670 --> 00:03:34,230 YOU GET THE TORCH YOURSELF. 39 00:03:34,270 --> 00:03:36,130 BARTENDER'S NAME'S CURTIS CANGELOSI, 40 00:03:36,170 --> 00:03:37,700 A SKELL, A SMALL‐TIME DEALER. 41 00:03:37,740 --> 00:03:39,940 GOT BIG. 42 00:03:39,970 --> 00:03:43,200 SO, DAY AFTER THE FIRE, I'M AT A BAR, ROSANNO'S, 43 00:03:43,240 --> 00:03:44,880 WHERE CANGELOSI'S MIXING DRINKS. 44 00:03:44,900 --> 00:03:47,930 I'M MAKING A DEPOSIT IN THE LAVATORY WHEN THE DOOR OPENS. 45 00:03:47,970 --> 00:03:49,900 I LIFT MY FEET UP 46 00:03:49,940 --> 00:03:52,130 SO THE INCOMING PARTY'S UNAWARES I'M DUMPING OUT. 47 00:03:52,150 --> 00:03:55,240 IN WALKS CANGELOSI WITH THIS FELLA TONY. 48 00:03:55,270 --> 00:03:58,640 TONY'S THANKING CURTIS FOR SOME BURN MEDICINE CURTIS GOT. 49 00:03:58,670 --> 00:04:01,700 SHMOOZING AROUND IN THE SUBSEQUENT BACK AND FORTH, 50 00:04:01,740 --> 00:04:04,900 I CAN'T MOVE THIS BARTENDER FOR MORE SPECIFICS ON TONY, 51 00:04:04,940 --> 00:04:07,900 BUT I HEAR INKLINGS FROM OTHER ACQUAINTANCES 52 00:04:07,940 --> 00:04:09,900 THAT THIS GUY SETS FIRES, 53 00:04:09,940 --> 00:04:13,000 WHICH STRIKES ME A CREDIBLE EXPLANATION HOW HIS FINGERS GOT BURNT 54 00:04:13,040 --> 00:04:15,340 AND HOW MY PATH CROSSED HERE WITH MARSHAL... 55 00:04:15,370 --> 00:04:16,670 HAUSER. 56 00:04:16,710 --> 00:04:19,210 YOU WANT US TO BUY INTO THE BARTENDER AND POP HIM? 57 00:04:19,240 --> 00:04:23,040 FOR SOME COKE TO LEVERAGE HIM ON I.D.ing THE TORCH. 58 00:04:23,070 --> 00:04:24,670 IT'S OUR HOMICIDE NOW. 59 00:04:24,710 --> 00:04:27,150 WE'LL BACK UP YOUR UNDERCOVER, 60 00:04:27,170 --> 00:04:28,170 THEN CONDUCT THE INTERVIEWS. 61 00:04:28,210 --> 00:04:30,150 SO, UM, WHO'S THE UNDERCOVER? 62 00:04:30,170 --> 00:04:31,740 SHE SHOULD BE HERE. 63 00:04:31,770 --> 00:04:34,700 [FANCY] WHEN SHE GETS HERE, YOU CAN MOVE. 64 00:04:34,740 --> 00:04:35,740 JAMES, JAMES. 65 00:04:35,770 --> 00:04:37,370 THANKS A LOT. 66 00:04:37,410 --> 00:04:40,150 HEY, YOU FELLAS WANT SOME REFRESHMENTS? 67 00:04:40,170 --> 00:04:41,900 ‐ HEY, WHERE YOU GOING? ‐ WHAT? 68 00:04:41,940 --> 00:04:43,700 NO ON THE REFRESHMENTS. 69 00:04:43,740 --> 00:04:46,140 VERY BIG OF YOU TO OFFER, THOUGH. 70 00:04:46,170 --> 00:04:48,740 IF THERE'S A COIN CUP OR SOMETHING, 71 00:04:48,770 --> 00:04:50,400 I'M HAPPY TO CONTRIBUTE. 72 00:04:50,440 --> 00:04:53,570 YOU GET THE LICENSE OF THAT TRUCK THAT HIT YOU? 73 00:04:53,610 --> 00:04:55,980 WE WERE JUST TALKING TO THE WHEELMAN. 74 00:04:56,010 --> 00:04:57,880 LIEU GAVE YOU THAT SHINER? 75 00:04:57,910 --> 00:05:01,210 WE'RE SUPPOSED TO BE WORKING ON FOOTWORK, TIMING. 76 00:05:01,240 --> 00:05:03,500 IN THAT RING, IT'S LIKE WORLD WAR III. 77 00:05:03,540 --> 00:05:05,240 I FEEL LIKE I'M BOXING DR. JEKYLL AND MR. HYDE. 78 00:05:05,270 --> 00:05:07,140 YOU TALK TO HIM ABOUT IT? 79 00:05:07,170 --> 00:05:09,240 I'M AFRAID IF I COMPLAIN, HE'LL HIT ME AGAIN. 80 00:05:13,610 --> 00:05:14,680 MORNING, SARGE. 81 00:05:18,270 --> 00:05:19,870 MR. AND MRS. DELGADO. 82 00:05:19,910 --> 00:05:23,310 A LITTLE EARLY, BUT WE CAN HEAD OVER. 83 00:05:23,340 --> 00:05:25,740 I WANT MY WIFE TO TALK TO YOU ABOUT THE TRIAL. 84 00:05:25,770 --> 00:05:30,120 THIS ISN'T THE TRIAL. IT'S THE WADE HEARING 85 00:05:30,160 --> 00:05:32,260 ON HOW YOU I. D.'d THE SUSPECTS. 86 00:05:32,290 --> 00:05:33,890 MY WIFE IS AFRAID. 87 00:05:33,920 --> 00:05:35,890 WHAT ARE YOU AFRAID OF? 88 00:05:35,920 --> 00:05:39,320 IF THESE ROBBERS WILL KILL OUR DOG JUST TO FRIGHTEN US, 89 00:05:39,360 --> 00:05:43,160 WHAT WILL THEY DO TO ME IF I SAY THEY DID THE ROBBERY? 90 00:05:43,190 --> 00:05:44,750 SEE, WE COULDN'T PROVE 91 00:05:44,790 --> 00:05:47,650 THAT BURKE AND GALLAGHER MURDERED THE DOG. 92 00:05:47,690 --> 00:05:51,390 IT WAS THEM, TELLING ME NOT TO TESTIFY THAT THEY HAD ROBBED US. 93 00:05:51,420 --> 00:05:52,990 I BELIEVE YOU. 94 00:05:53,020 --> 00:05:54,590 I'M SAYING WE COULDN'T PROVE IT. 95 00:05:54,620 --> 00:05:56,490 I WENT AND TALKED TO THESE GUYS. 96 00:05:56,520 --> 00:05:58,450 AND WE MOVED AWAY. 97 00:05:58,490 --> 00:06:01,320 I UNDERSTAND THEY HAVEN'T BEEN IN TOUCH SINCE THEN. 98 00:06:01,360 --> 00:06:03,560 I'M AFRAID THEY'LL HARM US. 99 00:06:03,590 --> 00:06:05,550 I REMINDED HER WHAT YOU SAID 100 00:06:05,590 --> 00:06:08,150 ABOUT DOING THE RIGHT THING AS CITIZENS. 101 00:06:08,190 --> 00:06:10,720 BUT SHE DOESN'T WANT THESE MEN TO FIND US. 102 00:06:10,760 --> 00:06:13,760 AFTER YOU'VE TOLD THEM HOW YOU MADE THE I. D. s, 103 00:06:13,790 --> 00:06:16,720 IN A WEEK, THIS CASE IS GOING TO TRIAL. 104 00:06:16,760 --> 00:06:20,060 I CAN PUT YOU IN A HOTEL BETWEEN NOW AND THEN. 105 00:06:20,090 --> 00:06:20,990 NO, LIEUTENANT. 106 00:06:21,020 --> 00:06:22,620 THIS HEARING IS PART 107 00:06:22,660 --> 00:06:25,330 OF WHAT'S GOING TO PUT THESE MEN IN JAIL. 108 00:06:25,360 --> 00:06:27,900 AFTERWARDS, IF YOU WANT ME TO RIDE YOU HOME... 109 00:06:27,920 --> 00:06:29,620 WE HAVE A CAR. 110 00:06:29,660 --> 00:06:32,260 IT'S A GOOD THING YOU'RE DOING HERE. 111 00:06:32,290 --> 00:06:33,650 YOU SHOULD BE PROUD. 112 00:06:33,690 --> 00:06:36,590 YOU SHOULD BE REAL PROUD OF YOUR WIFE. 113 00:06:36,620 --> 00:06:38,420 YOU READY TO GO OVER THERE? 114 00:06:41,620 --> 00:06:42,550 O.K.? 115 00:06:42,590 --> 00:06:43,920 VAMANOS. 116 00:06:57,460 --> 00:06:59,100 [SNIFFS] 117 00:07:03,020 --> 00:07:05,060 [SNIFFING] WHAT'S YOUR NAME? 118 00:07:05,090 --> 00:07:06,290 JOHN. 119 00:07:06,330 --> 00:07:10,170 JOHN, YOU WEARING FRUIT JUICE? 120 00:07:10,190 --> 00:07:12,660 I DO USE A SCENTED SOAP BY KARL LAGERFELD. 121 00:07:14,260 --> 00:07:16,740 BUT I KNOW WHAT THIS LAGERFELD SMELLS LIKE. 122 00:07:16,780 --> 00:07:19,350 DETECTIVE RUSSELL FROM O. C. C. B. 123 00:07:19,380 --> 00:07:23,080 I'M SUPPOSED TO SEE FIRE MARSHAL HAUSER OR LIEUTENANT FANCY. 124 00:07:23,110 --> 00:07:24,740 I'LL LET THEM KNOW YOU'RE HERE. 125 00:07:24,780 --> 00:07:26,920 BOBBY SIMONE. I'LL BE WORKING BACKUP. 126 00:07:26,940 --> 00:07:28,510 DIANE RUSSELL. WHERE CAN I CHANGE? 127 00:07:28,540 --> 00:07:29,910 LOCKER ROOM'S OVER THERE. 128 00:07:29,940 --> 00:07:31,010 THANKS. 129 00:07:31,040 --> 00:07:32,140 MM‐HMM. 130 00:07:37,280 --> 00:07:39,420 I GOT TO USE THE BATHROOM. 131 00:07:39,440 --> 00:07:40,440 HOLD IT. 132 00:07:53,140 --> 00:07:54,540 WHEN I TURN AROUND, 133 00:07:54,580 --> 00:07:58,020 BLINK YOUR LIGHTS IF YOU CAN HEAR ME. 134 00:07:58,040 --> 00:08:00,070 TAXI! 135 00:08:00,110 --> 00:08:03,040 I'M GOING TO DREAM ABOUT WHERE THAT MIKE IS HIDDEN. 136 00:08:03,080 --> 00:08:06,180 I DON'T NEED TO HEAR ANYTHING FROM YOU TILL WE'RE INSIDE. 137 00:08:06,210 --> 00:08:07,240 ROGER, 10‐4. NO PROBLEM. 138 00:08:08,640 --> 00:08:11,110 CURTIS, BOOTH ONE AVAILABLE? 139 00:08:11,140 --> 00:08:13,370 HEY, VINNY. 140 00:08:13,410 --> 00:08:15,370 THIS IS MY FRIEND DIANE. 141 00:08:15,410 --> 00:08:16,670 SHE'S DOWN FROM STAMFORD. 142 00:08:16,710 --> 00:08:18,240 PLEASED TO MEET YOU. 143 00:08:18,280 --> 00:08:21,080 YOU, TOO. [SIGHS] 144 00:08:21,110 --> 00:08:24,110 I'LL HAVE A BLOODY MARIA. MAKE IT WITH GOLD. 145 00:08:24,140 --> 00:08:27,270 YOU GOT THAT HERRADURA STUFF? MAKE IT WITH THAT. 146 00:08:27,310 --> 00:08:30,670 SO, WHAT DO YOU THINK OF MY FRIEND HERE? 147 00:08:30,710 --> 00:08:32,610 I'M VERY LARGE IN CONNECTICUT. 148 00:08:32,640 --> 00:08:35,170 YOUR FRIEND DESERVES BETTER THAN TO BE HERE. 149 00:08:35,210 --> 00:08:36,870 YEAH, I KNOW. 150 00:08:36,910 --> 00:08:40,070 I WANTED HER TO SAMPLE THE FLAVOR OF THE NEIGHBORHOOD. 151 00:08:40,110 --> 00:08:43,470 I HAVE A FAMILY FUNCTION LATER OVER ON HOUSTON STREET. 152 00:08:44,780 --> 00:08:46,050 HEY, DIANE, 153 00:08:46,080 --> 00:08:48,020 MAYBE CURTIS CAN HELP YOU OUT 154 00:08:48,040 --> 00:08:49,940 WITH THAT QUANDARY YOU GOT. 155 00:08:49,980 --> 00:08:52,350 I'M THE GUY YOU SHOULD TALK TO. 156 00:08:52,380 --> 00:08:54,950 I HELP A LOT OF PEOPLE. 157 00:08:54,980 --> 00:08:56,350 BARTENDERS TAKE AN OATH, LIKE LIFEGUARDS. 158 00:08:56,380 --> 00:08:58,350 VINNY, I DON'T EVEN KNOW CURTIS. 159 00:08:58,380 --> 00:09:00,680 WELL, HE'S A STAND‐UP GUY. 160 00:09:00,710 --> 00:09:03,210 AREN'T YOU A STAND‐UP GUY? 161 00:09:03,240 --> 00:09:05,940 OH, YEAH. ALL THE WAY. 162 00:09:05,980 --> 00:09:08,420 YOU ASK HIM. 163 00:09:08,440 --> 00:09:11,010 DIANE'S LOOKING TO SCORE SOME BLOW, 164 00:09:11,040 --> 00:09:13,010 YOU KNOW, MAYBE HALF A LID. 165 00:09:13,040 --> 00:09:14,510 IT'S NOT ALL FOR ME. 166 00:09:14,540 --> 00:09:17,570 I TOLD MY GIRLFRIENDS I COULD GET SOME. 167 00:09:17,610 --> 00:09:20,270 YESTERDAY MY GUY ZIGS WHEN HE SHOULD HAVE ZAGGED. 168 00:09:20,310 --> 00:09:22,270 HE LEFT US HIGH AND DRY. 169 00:09:22,310 --> 00:09:23,810 I DON'T KNOW. 170 00:09:25,080 --> 00:09:27,280 WELL, IF YOU CAN'T, THAT'S FINE. 171 00:09:27,310 --> 00:09:29,040 I DON'T WANT TO JAM YOU UP. 172 00:09:29,080 --> 00:09:30,680 HERE. 173 00:09:30,710 --> 00:09:33,710 YOU MAKE A DECENT BLOODY MARIA...CURTIS. 174 00:09:36,080 --> 00:09:37,620 I'LL HAVE ANOTHER ONE. 175 00:09:37,640 --> 00:09:41,370 I GUESS I CAN... MAKE A COUPLE OF CALLS. 176 00:09:41,410 --> 00:09:42,610 THERE YOU GO, CURTIS. 177 00:09:42,640 --> 00:09:43,770 YEAH? 178 00:09:43,810 --> 00:09:44,710 YEAH. 179 00:09:44,740 --> 00:09:46,410 COOL. 180 00:09:46,440 --> 00:09:47,370 SEE? 181 00:09:50,210 --> 00:09:52,340 NUMBER TWO. 182 00:09:52,380 --> 00:09:54,980 GREAT. THANKS. 183 00:10:17,280 --> 00:10:18,850 YOU SAMPLE IT? 184 00:10:18,880 --> 00:10:20,520 NO. I DON'T USE. 185 00:10:20,540 --> 00:10:22,010 AND, UH, HERE'S YOUR CHANGE. 186 00:10:22,040 --> 00:10:23,340 IT WAS ONLY 400. 187 00:10:23,380 --> 00:10:25,680 NOT GOING TO GET RICH THAT WAY, CURTIS. 188 00:10:25,710 --> 00:10:26,940 THIS WAS A FAVOR. 189 00:10:26,980 --> 00:10:29,450 I GET OFF AT 8:00. 190 00:10:29,480 --> 00:10:31,220 HOW LONG WILL YOUR FAMILY REUNION GO? 191 00:10:31,240 --> 00:10:33,240 [VINNY] WHAT AM I, UPHOLSTERY? 192 00:10:33,280 --> 00:10:35,050 MAYBE I COULD BUY YOU A DRINK. 193 00:10:35,080 --> 00:10:38,850 IF I GET DONE, I'LL STOP IN. YOU MADE AN IMPRESSION. 194 00:10:38,880 --> 00:10:42,350 THIS HAS MY NUMBER AT THE BAR AND HOME. OKAY. THANKS. 195 00:10:42,380 --> 00:10:44,350 IF IT DOESN'T WORK OUT TONIGHT, 196 00:10:44,380 --> 00:10:46,280 I COULD DRIVE UP TO STAMFORD. 197 00:10:46,310 --> 00:10:49,610 I KNOW A PLACE THAT MAKES A HELL OF A BLOODY MARIA. 198 00:10:49,640 --> 00:10:50,840 THE MAN'S IN LOVE! 199 00:10:50,880 --> 00:10:52,080 BE GOOD. 200 00:10:52,110 --> 00:10:54,210 ‐ I'LL SEE YOU, VINNY. ‐ HERE WE GO. 201 00:10:54,240 --> 00:10:56,210 LET'S TAKE HIM IN. 202 00:11:00,980 --> 00:11:02,280 CURTIS. 203 00:11:02,310 --> 00:11:04,240 POLICE OFFICERS. YOU'RE UNDER ARREST. 204 00:11:04,280 --> 00:11:05,380 WHAT FOR? 205 00:11:05,410 --> 00:11:07,170 PUT YOUR HANDS UP THERE. 206 00:11:07,210 --> 00:11:11,710 WE'LL TALK ABOUT IT AT THE STATION HOUSE. WHAT'D I DO? 207 00:11:11,740 --> 00:11:12,710 WHAT DID I DO? 208 00:11:14,410 --> 00:11:16,440 COME ON. LET'S GO. 209 00:11:27,040 --> 00:11:29,500 THE D. A.'s AGREED NOT TO CHARGE HIM ON THE SALE 210 00:11:29,530 --> 00:11:30,530 IF CANGELOSI COOPERATES. 211 00:11:30,570 --> 00:11:31,610 HE'LL DEAL. 212 00:11:31,630 --> 00:11:33,830 HE SHOULD. HE'S NO HARD‐ASS. 213 00:11:33,870 --> 00:11:36,170 HOW DO WE KNOW CANGELOSI'S THE WRONG GUY? 214 00:11:36,200 --> 00:11:38,100 THAT'S THE INFORMATION I GOT FROM THE INFORMANT. 215 00:11:38,130 --> 00:11:40,230 HE'S GOT NO RECORD. 216 00:11:40,270 --> 00:11:41,570 MAYBE HE BEAT US. 217 00:11:41,600 --> 00:11:43,700 HE'S NEVER BEEN ARRESTED. 218 00:11:43,730 --> 00:11:46,700 RECORD OR NO RECORD, WE GOT A HOMICIDE TO CLEAR. 219 00:11:46,730 --> 00:11:49,230 IF CANGELOSI'S CLEAN, HE'LL COOPERATE. 220 00:11:49,270 --> 00:11:50,610 HOW ABOUT IF HE DOESN'T? 221 00:11:50,630 --> 00:11:53,360 WE HUNG A FELONY ON A LEGITIMATE GUY. 222 00:11:53,400 --> 00:11:55,660 LET'S NOT GET AHEAD OF OURSELVES. 223 00:11:55,700 --> 00:11:58,030 I DON'T LIKE TURNING INNOCENT PEOPLE INTO CRIMINALS. 224 00:11:58,070 --> 00:11:59,910 HOW MANY MODEL CITIZENS 225 00:11:59,930 --> 00:12:03,160 CAN GET THEIR HANDS ON HALF AN OUNCE OF COCAINE IN 20 MINUTES? 226 00:12:03,200 --> 00:12:06,330 IF HE DOESN'T GIVE THE OTHER GUY UP, 227 00:12:06,370 --> 00:12:07,840 I'M NOT GONNA TESTIFY AGAINST HIM. 228 00:12:07,870 --> 00:12:10,270 WELL, NOW THAT WE KNOW YOUR FUTURE PLANS, 229 00:12:10,300 --> 00:12:13,200 HOW ABOUT YOU AND DETECTIVE SIMONE GO FLIP THIS GUY 230 00:12:13,230 --> 00:12:15,030 SO WE DON'T WIND UP IN THAT BOX? 231 00:12:21,130 --> 00:12:23,000 GO RIGHT IN HERE. 232 00:12:23,030 --> 00:12:26,860 I'M NOT GOING TO GIVE TOO MANY LINES IN THIS INTERVIEW. 233 00:12:26,900 --> 00:12:28,560 THAT'S A GOOD IDEA. 234 00:12:28,600 --> 00:12:30,530 WELL, YOU MIGHT PULL YOUR PIECE 235 00:12:30,570 --> 00:12:33,110 AND TRY TO BREAK THIS GUY OUT. 236 00:12:34,430 --> 00:12:35,960 YOU O. K.? 237 00:12:42,700 --> 00:12:45,830 SO, CURTIS, LIKE I TOLD YOU IN THE CAR, 238 00:12:45,870 --> 00:12:47,770 YOU CAN HAVE AN ATTORNEY PRESENT, 239 00:12:47,800 --> 00:12:51,060 BUT I WANT YOU TO KNOW HOW YOU CAN HELP YOURSELF. 240 00:12:51,100 --> 00:12:54,030 I'VE NEVER SOLD DRUGS IN MY LIFE. 241 00:12:54,070 --> 00:12:55,410 I DON'T EVEN USE. 242 00:12:55,430 --> 00:12:56,760 WELL, YOU SOLD TODAY. 243 00:12:56,800 --> 00:12:58,600 I DID YOU A FAVOR. 244 00:12:58,630 --> 00:13:01,360 I GET PICKED UP FOR DOING A FAVOR? 245 00:13:01,400 --> 00:13:03,330 YOU CALL IT DOING A FAVOR. 246 00:13:03,370 --> 00:13:05,710 WE CALL IT ONE TO THREE IN THE STATE PENITENTIARY. 247 00:13:05,730 --> 00:13:07,060 I DON'T BELIEVE THIS. 248 00:13:07,100 --> 00:13:09,560 WHY DID YOU DO THIS TO ME? 249 00:13:09,600 --> 00:13:11,930 YOU WANT TO KNOW WHAT HAPPENED? I'LL TELL YOU. 250 00:13:11,970 --> 00:13:13,940 SHE WALKED INTO THE BAR, THAT‐‐ 251 00:13:13,970 --> 00:13:15,340 HER AND THAT VINNY. 252 00:13:15,370 --> 00:13:17,510 WAS HE PART OF SETTING ME UP? 253 00:13:17,530 --> 00:13:18,930 VINNY'S IN CUSTODY, CURTIS. 254 00:13:18,970 --> 00:13:20,940 SHE GIVES ME SOME SOB STORY. 255 00:13:20,970 --> 00:13:23,940 SHE NEEDS SOME COCAINE FOR HER GIRLFRIENDS. 256 00:13:23,970 --> 00:13:27,410 I GUESS VINNY WAS TRYING TO DO HER A FAVOR. 257 00:13:27,430 --> 00:13:28,730 I MAKE A PHONE CALL. 258 00:13:28,770 --> 00:13:31,910 SHE WANTS ME TO GO WITH HER 'CAUSE SHE'S SCARED. 259 00:13:31,930 --> 00:13:34,560 SHE WANTS ME TO TAKE THE MONEY AND GIVE IT TO THE GUY. 260 00:13:34,600 --> 00:13:37,600 I DON'T TAKE A CENT. I GIVE HER 100 CHANGE 261 00:13:37,630 --> 00:13:39,560 'CAUSE I'M SUCH A BIG DEALER? 262 00:13:39,600 --> 00:13:41,500 AND I WALKED AWAY. 263 00:13:41,530 --> 00:13:44,060 THAT'S HOW IT HAPPENED. THAT'S A FELONY. 264 00:13:44,100 --> 00:13:46,600 ALL RIGHT, YOU HELP US OUT, 265 00:13:46,630 --> 00:13:51,200 MAYBE...MAYBE WE'RE IN A POSITION TO HELP YOU. 266 00:13:51,230 --> 00:13:53,560 MAYBE YOU'RE LOOKING AT A SUSPENDED SENTENCE. 267 00:13:53,600 --> 00:13:55,530 COME ON, SIT DOWN. 268 00:13:59,370 --> 00:14:02,740 HELP YOU OUT HOW? WE'RE LOOKING AT A GUY WHO COMMITTED A CRIME 269 00:14:02,770 --> 00:14:04,510 THAT RESULTED IN A DEATH. 270 00:14:04,530 --> 00:14:05,760 WHAT GUY? 271 00:14:05,800 --> 00:14:08,160 YOUR FRIEND TONY WHO HAD HIS HAND BURNED. 272 00:14:08,200 --> 00:14:10,260 TONY MEDICI? 273 00:14:10,300 --> 00:14:12,160 HE SELLS MINI‐BLINDS. 274 00:14:12,200 --> 00:14:15,900 WHEN HE GOT YOU TO BRING HIM SOME BURN MEDICINE, 275 00:14:15,930 --> 00:14:18,730 TONY GOT HIS HANDS BURNED TORCHING A BUILDING. 276 00:14:18,770 --> 00:14:20,210 A FIREMAN DIED. 277 00:14:20,230 --> 00:14:22,530 THAT'S MURDER. THAT'S WHAT YOUR FRIEND TONY DID. 278 00:14:22,570 --> 00:14:25,570 HE SAID IT WAS A HOT‐WATER HEATER. 279 00:14:25,600 --> 00:14:28,600 GET TONY TALKING ON TAPE ABOUT THE FIRES HE SET. 280 00:14:28,630 --> 00:14:30,230 THAT'S YOUR WAY OUT. 281 00:14:30,270 --> 00:14:33,240 I'M NOT GOING TO SET UP A FRIEND OF MINE. 282 00:14:33,270 --> 00:14:36,070 THAT'S WHAT YOU DO, NOT ME. 283 00:14:36,100 --> 00:14:37,530 YOU'RE IN A SITUATION. 284 00:14:37,570 --> 00:14:39,740 YOUR WAY OUT IS TO COOPERATE. 285 00:14:39,770 --> 00:14:43,040 IF IT TURNS OUT THAT THIS TONY DIDN'T DO IT 286 00:14:43,070 --> 00:14:44,870 AND YOU COOPERATED SO WE COULD FIND OUT, 287 00:14:44,900 --> 00:14:46,860 YOU'D STILL BE LOOKING AT A WALK. 288 00:14:48,630 --> 00:14:51,030 I'M GONNA GIVE YOU SOME TIME TO THINK. 289 00:14:51,070 --> 00:14:52,540 WANT SOMETHING TO EAT? 290 00:14:52,570 --> 00:14:54,310 I'LL GET YOU SOMETHING. 291 00:15:06,600 --> 00:15:08,160 I'M GOING TO RAY'S. YOU WANT SOMETHING? 292 00:15:08,200 --> 00:15:10,160 I WANT THEIR ENTIRE MENU, 293 00:15:10,200 --> 00:15:11,760 BUT THE ANSWER'S NO. 294 00:15:11,800 --> 00:15:15,760 I GOT TO LOSE A COUPLE OF POUNDS FOR THIS WEDDING. 295 00:15:15,800 --> 00:15:17,460 DETECTIVE, LINE TWO. 296 00:15:18,970 --> 00:15:20,710 [CLEARS THROAT] 297 00:15:20,730 --> 00:15:22,430 SIPOWICZ. 298 00:15:25,130 --> 00:15:28,100 ALL RIGHT. TAKE IT EASY, MR. DELGADO. 299 00:15:28,130 --> 00:15:30,260 I'LL BE RIGHT THERE. 300 00:15:30,300 --> 00:15:31,760 JAMES... 301 00:15:31,800 --> 00:15:34,400 THOSE SONS OF BITCHES GRABBED THAT WOMAN. 302 00:15:39,370 --> 00:15:41,640 [NO AUDIO] 303 00:16:35,430 --> 00:16:38,430 THAT'S MY WIFE! [SOBBING] 304 00:16:58,430 --> 00:17:00,260 HERE YOU GO. 305 00:17:03,730 --> 00:17:05,000 COME ON. 306 00:17:05,030 --> 00:17:08,000 YOU GONNA TELL IF I HAVE ANOTHER WINE COOLER? 307 00:17:08,030 --> 00:17:09,400 I DIDN'T SEE ANYTHING. 308 00:17:09,430 --> 00:17:11,660 I DON'T MEAN TO PUT YOU IN A POSITION. 309 00:17:11,700 --> 00:17:12,730 YOU'RE NOT. 310 00:17:15,100 --> 00:17:17,830 HOW LONG YOU BEEN DOING THIS? 311 00:17:17,870 --> 00:17:20,510 UH, THREE YEARS. 312 00:17:20,530 --> 00:17:23,000 I USED TO WORK UNDERCOVER. 313 00:17:23,030 --> 00:17:26,000 JUST FOR A COUPLE OF DAYS AT A TIME. 314 00:17:26,030 --> 00:17:28,360 I KNOW IT'S A LOT DIFFERENT 315 00:17:28,400 --> 00:17:31,330 WHEN YOU HAVE A PERMANENT ASSIGNMENT. 316 00:17:31,370 --> 00:17:32,740 IT GRINDS... 317 00:17:32,770 --> 00:17:34,370 BEING UNDER ALL THE TIME. 318 00:17:34,400 --> 00:17:36,000 YEAH. 319 00:17:36,030 --> 00:17:38,360 I DIDN'T MIND TAKING DOWN THE BAD GUYS. 320 00:17:38,400 --> 00:17:41,600 EVEN THE ONES I LIKED, I TOOK THEM DOWN, TOO. 321 00:17:41,630 --> 00:17:44,930 BUT THEN, AFTER A WHILE, YOU START ASKING YOURSELF... 322 00:17:44,970 --> 00:17:49,840 HOW MUCH OF WHAT THESE GUYS HAVE DONE IS MY DOING? 323 00:17:49,870 --> 00:17:52,010 WOULD THEY EVEN BE HERE 324 00:17:52,030 --> 00:17:54,260 IF I DIDN'T PUT THEM HERE? 325 00:17:54,300 --> 00:17:56,860 [SIGHS] I DON'T KNOW. 326 00:17:56,900 --> 00:17:58,860 AND THEN SOMETHING LIKE THIS. 327 00:17:58,900 --> 00:18:00,830 A TOTALLY LEGITIMATE GUY‐‐ 328 00:18:00,870 --> 00:18:03,370 NO. I THINK THIS GUY IS NOT GONNA GO DOWN. 329 00:18:03,400 --> 00:18:06,660 SERIOUSLY, I THINK HE'S GOING TO HELP US OUT. 330 00:18:06,700 --> 00:18:10,860 WELL, IF HE DOES, HE'S GOING TO HELP ME, 'CAUSE... 331 00:18:10,900 --> 00:18:12,260 I'LL GO ON SUSPENSION 332 00:18:12,300 --> 00:18:15,360 BEFORE I GO ON THE WITNESS STAND AGAINST THIS GUY. 333 00:18:15,400 --> 00:18:17,030 ENOUGH'S ENOUGH. 334 00:18:18,430 --> 00:18:20,400 WE SHOULD GET BACK. 335 00:18:21,870 --> 00:18:23,540 YEAH. 336 00:18:47,600 --> 00:18:49,260 HAVE A SEAT. 337 00:18:49,300 --> 00:18:51,160 HAVE A SLICE. 338 00:18:51,200 --> 00:18:53,230 NO. I CAN'T EAT. 339 00:18:53,270 --> 00:18:56,240 YOU AND THIS TONY GO WAY BACK, HUH? 340 00:18:56,270 --> 00:18:59,270 WE WERE KIDS IN THE SAME NEIGHBORHOOD. 341 00:18:59,300 --> 00:19:02,000 WHEN YOU WERE TALKING ABOUT HIM BEFORE, 342 00:19:02,030 --> 00:19:05,660 IT REMINDED ME OF THIS BUDDY OF MINE‐‐ GUY FROM THE NEIGHBORHOOD. 343 00:19:05,700 --> 00:19:07,230 WE WERE TIGHT WHEN WE WERE KIDS. 344 00:19:07,270 --> 00:19:10,240 A COUPLE MONTHS BACK, HE GETS ALL JAMMED UP. 345 00:19:10,270 --> 00:19:11,870 SO I HELP HIM OUT. 346 00:19:11,900 --> 00:19:14,700 A WEEK LATER, HE'S IN ANOTHER JAM. 347 00:19:14,730 --> 00:19:16,260 CURTIS, 348 00:19:16,300 --> 00:19:20,000 I HAD TO REALIZE HE WASN'T THE KID I KNEW ANYMORE. 349 00:19:20,030 --> 00:19:21,830 I'M NOT GOING TO WEAR A WIRE. 350 00:19:21,870 --> 00:19:23,540 WE UNDERSTAND THAT. 351 00:19:23,570 --> 00:19:26,170 WE ALL WANT TO DO THE RIGHT THING. 352 00:19:26,200 --> 00:19:29,060 HOW'S WHAT YOU DID TO ME THE RIGHT THING? 353 00:19:29,100 --> 00:19:31,360 WE CAN ALL DISAGREE ABOUT WHAT HAPPENED. 354 00:19:31,400 --> 00:19:34,330 BUT THIS DOESN'T HAVE TO END UP WITH YOU IN JAIL. 355 00:19:34,370 --> 00:19:36,340 WE'RE DOING WHAT WE CAN 356 00:19:36,370 --> 00:19:38,940 TO SEE THAT THAT DOESN'T HAPPEN. 357 00:19:38,970 --> 00:19:41,570 BUT I WANT YOU TO THINK ABOUT SOMETHING. 358 00:19:41,600 --> 00:19:43,700 AN INNOCENT MAN WAS KILLED IN THIS FIRE. 359 00:19:43,730 --> 00:19:45,360 HE DIED DOING HIS JOB. 360 00:19:45,400 --> 00:19:47,700 NOW, THIS BUDDY OF YOURS‐‐TONY‐‐ 361 00:19:47,730 --> 00:19:50,700 HE SAID HE GOT BURNED ON SOME HOT‐WATER HEATER? 362 00:19:50,730 --> 00:19:52,060 YOU BELIEVE THAT? 363 00:19:52,100 --> 00:19:53,700 YEAH, I DO. 364 00:19:53,730 --> 00:19:56,160 MM‐HMM. IF YOU WENT AND TALKED TO HIM 365 00:19:56,200 --> 00:19:58,160 AND WOUND UP FEELING DIFFERENT 366 00:19:58,200 --> 00:20:00,400 ABOUT THE WAY HE GOT THOSE BURNS, 367 00:20:00,430 --> 00:20:02,760 I WOULD EXPECT YOU TO FEEL DIFFERENT ABOUT US. 368 00:20:02,800 --> 00:20:05,260 I'M NOT SAYING WEAR A WIRE OR GIVE HIM UP. 369 00:20:05,300 --> 00:20:06,860 BUT YOU MIGHT THINK DIFFERENTLY 370 00:20:06,900 --> 00:20:08,860 ABOUT GIVING UP AN ADDRESS. 371 00:20:08,900 --> 00:20:11,860 ON THE OTHER HAND, YOU WALK OUT THAT DOOR, 372 00:20:11,900 --> 00:20:13,860 AND YOU HAPPEN TO SEE TONY, 373 00:20:13,900 --> 00:20:16,860 AND YOU'RE CONVINCED HE HAD NOTHING TO DO WITH THIS, 374 00:20:16,900 --> 00:20:18,830 I WOULDN'T EXPECT TO SEE YOU AGAIN. 375 00:20:18,870 --> 00:20:21,770 WHAT DO YOU MEAN, WHEN I WALK OUT THAT DOOR? 376 00:20:21,800 --> 00:20:23,700 ARE YOU LETTING ME GO? 377 00:20:23,730 --> 00:20:25,530 YOU HAVEN'T BEEN CHARGED. 378 00:20:25,570 --> 00:20:28,210 I'M NOT SAYING THEY WON'T FILE LATER ON, 379 00:20:28,230 --> 00:20:30,730 BUT RIGHT NOW YOU'RE FREE TO GO. 380 00:20:32,100 --> 00:20:35,430 I DON'T KNOW WHAT EXACTLY YOU WANT. 381 00:20:37,200 --> 00:20:39,160 I WANT YOU TO DO 382 00:20:39,200 --> 00:20:41,960 WHAT YOUR CONSCIENCE TELLS YOU TO DO. 383 00:20:45,300 --> 00:20:48,360 YOU DON'T WANT THAT PIZZA, YOU'RE FREE TO GO. 384 00:20:57,100 --> 00:20:58,660 THAT TOOK GUTS. 385 00:20:58,700 --> 00:21:00,900 TOOK A SHOT, RIGHT? 386 00:21:00,930 --> 00:21:03,230 HOW DO YOU LET THAT GUY WALK? 387 00:21:03,270 --> 00:21:04,240 DON'T YOU WANT HIS BUDDY? 388 00:21:04,270 --> 00:21:05,570 WE HAD LEVERAGE. 389 00:21:05,600 --> 00:21:07,200 NO. WE HAD SQUAT. 390 00:21:07,230 --> 00:21:09,860 YOU BACK HIM UP AGAINST THE WALL, 391 00:21:09,900 --> 00:21:12,330 HE'D DO TIME BEFORE HE GIVES UP HIS FRIEND. 392 00:21:12,370 --> 00:21:14,770 I KNOW YOU LOST ONE OF YOUR OWN. 393 00:21:14,800 --> 00:21:17,200 THIS IS HOW WE SHOULD PLAY IT. 394 00:21:17,230 --> 00:21:19,260 THIS GUY DOESN'T COME BACK, 395 00:21:19,300 --> 00:21:21,200 WE CAN STILL REINSTATE CHARGES. 396 00:21:21,230 --> 00:21:23,500 YOU LET ME KNOW WHAT BREAKS. 397 00:21:23,530 --> 00:21:24,630 ABSOLUTELY. 398 00:21:25,930 --> 00:21:27,300 [SIGHS] 399 00:21:31,900 --> 00:21:34,060 WHY DON'T WE GET A BEER? 400 00:21:34,100 --> 00:21:38,060 THEN I CAN DECIDE HOW I FEEL ABOUT YOUR SAVING MY CAREER. 401 00:21:38,100 --> 00:21:39,060 UM... 402 00:21:39,100 --> 00:21:41,030 CAN YOU GIVE ME A HAND? 403 00:21:41,070 --> 00:21:43,570 YEAH. EXCUSE ME. WHAT'S UP? 404 00:21:43,600 --> 00:21:47,100 MARTINEZ AND ME FOUND THE DELGADO WOMAN'S BODY ALL BURNT UP. 405 00:21:47,130 --> 00:21:48,730 HER TEETH WERE SNAPPED OUT, 406 00:21:48,770 --> 00:21:50,370 AND HER FINGERTIPS WERE CUT OFF. 407 00:21:50,400 --> 00:21:51,860 IT WAS BURKE AND GALLAGHER‐‐ 408 00:21:51,900 --> 00:21:54,530 THOSE BASTARDS SHE WAS GONNA TESTIFY AGAINST GRABBED HER UP. 409 00:21:54,570 --> 00:21:57,540 YOU WANT TO GO SIT ON THEIR HOUSES? 410 00:21:57,570 --> 00:21:59,570 YEAH. ANOTHER TIME, HUH? 411 00:21:59,600 --> 00:22:01,330 NO PROBLEM. NICE WORKING WITH YOU. 412 00:22:01,370 --> 00:22:02,970 YEAH. 413 00:22:05,630 --> 00:22:08,060 GIVE ME A SECOND. I'M GOING TO TAKE A PISS. 414 00:22:11,050 --> 00:22:13,900 I HAD HER HUSBAND MAKE HER TESTIFY. 415 00:22:13,930 --> 00:22:16,430 THAT WAS HER DUTY AS A CITIZEN. 416 00:22:53,740 --> 00:22:54,540 THANKS FOR GOING OUT THERE. 417 00:22:54,580 --> 00:22:55,980 NO PROBLEM. 418 00:22:56,010 --> 00:22:57,980 DO YOU NEED HELP ON THESE INTERVIEWS? 419 00:22:58,010 --> 00:23:01,040 NO. I KNOW THESE GUYS FROM WORKING UP THE ORIGINAL CASE. 420 00:23:01,080 --> 00:23:03,110 ALL RIGHT. 421 00:23:06,580 --> 00:23:08,410 YEAH. I HAVE‐‐ 422 00:23:08,450 --> 00:23:10,650 MORNING, MARSHAL. 423 00:23:10,680 --> 00:23:13,410 SINCE WE CAN'T GET TO THE TORCH THROUGH THE BARTENDER, 424 00:23:13,450 --> 00:23:15,420 LET'S SET UP A CIRCUMSTANTIAL ARSON‐FOR‐PROFIT CASE 425 00:23:15,450 --> 00:23:17,220 AGAINST THE BUILDING OWNER. 426 00:23:17,250 --> 00:23:19,490 I WOULDN'T QUIT ON THE TORCH, OR GIVE UP ON THIS BARTENDER. 427 00:23:19,510 --> 00:23:21,480 I'M NOT COUNTING ON THE BARTENDER, 428 00:23:21,510 --> 00:23:24,040 AND I FOUND MY WAY TO THE TORCH. 429 00:23:24,080 --> 00:23:26,040 THE BUILDING'S OWNER IS MARTIN LASKY. 430 00:23:26,080 --> 00:23:29,410 I RAN A TRW CHECK, DOCUMENTING ALL FIRE LOSSES CLAIMED BY LASKY 431 00:23:29,450 --> 00:23:32,290 IN OTHER FIRES OVER THE PAST 10 YEARS. 432 00:23:32,310 --> 00:23:33,940 I RECHECKED LAST NIGHT. 433 00:23:33,980 --> 00:23:38,780 ANOTHER BUILDING IS A JOINT OWNERSHIP WITH A GUY NAMED LEO MEDICI. 434 00:23:38,810 --> 00:23:40,280 THIS TONY'S HIS NEPHEW. 435 00:23:40,310 --> 00:23:42,910 MY GUYS ARE TRYING TO PICK HIM UP. 436 00:23:42,950 --> 00:23:45,050 I RAN A BCI CHECK ON TONY. 437 00:23:45,080 --> 00:23:46,410 HE'S GOT NO RECORD. 438 00:23:46,450 --> 00:23:48,950 YOU DON'T THINK HE'S THE TORCH? 439 00:23:48,980 --> 00:23:51,280 I'M JUST GIVING YOU SOME INFORMATION. 440 00:23:51,310 --> 00:23:52,610 LET'S GET SOME COFFEE. 441 00:23:52,650 --> 00:23:54,150 NO, IT'S O. K. 442 00:23:54,180 --> 00:23:56,840 I KNOW WHERE IT'S AT. 443 00:24:00,410 --> 00:24:01,940 MORNING, JOHN. 444 00:24:01,980 --> 00:24:03,610 HEY. 445 00:24:03,650 --> 00:24:05,050 CAN YOU, UM... 446 00:24:05,080 --> 00:24:07,710 CAN YOU GET ME THAT O. C. C. B. NUMBER? 447 00:24:07,750 --> 00:24:08,590 SURE. 448 00:24:08,610 --> 00:24:09,940 ONE SECOND. 449 00:24:11,350 --> 00:24:12,920 HEY. 450 00:24:12,950 --> 00:24:15,090 HOW'S IT GOING? ALL RIGHT. 451 00:24:15,110 --> 00:24:18,080 I THOUGHT YOU'D BE WORKING ON SOMETHING ELSE. 452 00:24:18,110 --> 00:24:21,310 MY BOSS THOUGHT YOU MIGHT WANT ME TO MAKE ANOTHER BUY. 453 00:24:21,350 --> 00:24:23,020 THAT'S WHAT I TOLD HIM. 454 00:24:25,780 --> 00:24:27,740 HAVE A SEAT. 455 00:24:27,780 --> 00:24:29,310 UM... 456 00:24:29,350 --> 00:24:31,250 LOOKS LIKE WE HAVE ANOTHER WAY 457 00:24:31,280 --> 00:24:32,810 OF GETTING TO THIS TORCH. 458 00:24:32,850 --> 00:24:35,220 BUT IF CURTIS DOESN'T COME BACK? 459 00:24:35,250 --> 00:24:37,090 YOU STILL WANT THAT O. C. C. B.‐‐ 460 00:24:37,110 --> 00:24:39,310 NO, JOHN. THANKS. 461 00:24:40,580 --> 00:24:42,710 YOU KNOW SOMEONE ELSE AT O. C. C. B.? 462 00:24:42,750 --> 00:24:43,720 NO. 463 00:24:43,750 --> 00:24:45,020 JUST YOU. 464 00:24:48,180 --> 00:24:51,110 THAT FEMALE UNDERCOVER'S GOT SOME MOXIE, HUH? 465 00:24:51,150 --> 00:24:52,120 YEAH. YEAH. 466 00:24:52,150 --> 00:24:54,550 I'D BE HAPPY TO PICK HER UP 467 00:24:54,580 --> 00:24:56,710 IF THEY LET HER OUT OF HER DETAIL. 468 00:24:56,750 --> 00:24:58,090 CHECK WITH HER COMMAND. 469 00:24:58,110 --> 00:25:01,580 SHE'S HAD A 57 IN FOR A WHILE, 470 00:25:01,610 --> 00:25:03,610 TRYING TO GET OUT OF UNDERCOVER. 471 00:25:03,650 --> 00:25:05,320 I'LL CHECK WITH THE CHIEF OF Ds. 472 00:25:05,350 --> 00:25:08,320 SEE IF IT'S GOT TO BE A ONE‐FOR‐ONE. 473 00:25:10,910 --> 00:25:14,080 I GOT HIM IF YOU WANT TO GO CHANGE. 474 00:25:14,110 --> 00:25:15,080 THANKS, GREG. 475 00:25:15,110 --> 00:25:16,480 YEAH. NO PROBLEM. 476 00:25:21,410 --> 00:25:22,340 STAND UP. 477 00:25:27,010 --> 00:25:30,410 HOW'D YOU GET THAT MUD ON YOUR CLOTHES? 478 00:25:30,450 --> 00:25:32,320 THIS? I DON'T KNOW. 479 00:25:32,350 --> 00:25:34,550 GET YOUR CLOTHES OFF. 480 00:25:34,580 --> 00:25:37,240 GET YOUR CLOTHES OFF, 481 00:25:37,280 --> 00:25:39,740 AND PUT THEM ON THAT CHAIR. 482 00:25:41,580 --> 00:25:42,840 PANTS, TOO. 483 00:25:48,580 --> 00:25:52,080 THE POLICE LABS ARE GOING TO ANALYZE THAT DIRT. 484 00:25:52,110 --> 00:25:55,080 THEY'LL PINPOINT EXACTLY WHERE IT COMES FROM. 485 00:25:55,110 --> 00:25:57,910 IF IT COMES FROM WHERE THAT WOMAN GOT BURNED... 486 00:25:57,950 --> 00:25:59,120 NO. 487 00:25:59,150 --> 00:26:01,790 DID GALLAGHER KILL THAT WOMAN'S DOG? 488 00:26:01,810 --> 00:26:04,210 THAT'S A SEPARATE MATTER. 489 00:26:04,250 --> 00:26:06,750 THERE'S NO CHARGES ON THAT. TELL ME THE TRUTH. 490 00:26:06,780 --> 00:26:10,580 NO. NO‐‐ DID GALLAGHER KILL THAT DOG TO FRIGHTEN THE DELGADOS 491 00:26:10,610 --> 00:26:12,240 SO MRS. DELGADO WOULDN'T TESTIFY 492 00:26:12,280 --> 00:26:14,740 ON SEEING YOU GUYS ROB HER HOUSE? 493 00:26:14,780 --> 00:26:16,080 NO. 494 00:26:16,110 --> 00:26:20,110 I'M GIVING YOU A CHANCE TO HELP YOURSELF. 495 00:26:20,150 --> 00:26:23,120 DID GALLAGHER KILL THAT WOMAN LIKE HE KILLED THAT DOG 496 00:26:23,150 --> 00:26:26,150 TO STOP HER FROM TESTIFYING AGAINST HIM IN THE TRIAL? 497 00:26:26,180 --> 00:26:27,740 NO. HE DIDN'T DO IT. 498 00:26:27,780 --> 00:26:29,940 WE WASN'T SCARED OF NO TRIAL. 499 00:26:29,980 --> 00:26:32,440 WHO TOLD YOU NOT TO BE SCARED, HUH? 500 00:26:32,480 --> 00:26:34,080 IT WASN'T GALLAGHER. 501 00:26:34,110 --> 00:26:35,610 IT WAS GALLAGHER! 502 00:26:35,650 --> 00:26:37,550 YOU BELIEVE EVERYTHING HE TELLS YOU, 503 00:26:37,580 --> 00:26:40,240 AND YOU WOULD DO EVERYTHING HE TELLS YOU. 504 00:26:40,280 --> 00:26:42,540 I DON'T ALWAYS DO WHAT HE TELLS ME. 505 00:26:42,580 --> 00:26:45,940 WHEN WAS THE LAST TIME YOU SAID NO? 506 00:26:45,980 --> 00:26:47,940 NEV‐NEVER MIND. 507 00:26:55,280 --> 00:26:57,240 LET ME TELL YOU SOMETHING, BURKE. 508 00:26:57,280 --> 00:26:59,240 YOU AND I BOTH KNOW GALLAGHER IS SMART. 509 00:26:59,280 --> 00:27:01,310 AND BEFORE ANYTHING HAPPENS TO GALLAGHER, 510 00:27:01,350 --> 00:27:04,250 IT'S GOING TO HAPPEN TO YOU. 511 00:27:04,280 --> 00:27:07,410 HE'LL SET YOU UP TO BE A PATSY ON THIS. 512 00:27:07,450 --> 00:27:08,550 BEFORE THAT HAPPENS, 513 00:27:08,580 --> 00:27:11,740 YOU HAD BETTER GET SOME SMARTS OF YOUR OWN. 514 00:27:41,750 --> 00:27:44,090 YOU KNOW WHAT THIS IS ABOUT, RIGHT? 515 00:27:44,110 --> 00:27:46,980 I'M NOT SAYING NOTHING 'CAUSE I HAVEN'T DONE NOTHING. 516 00:27:47,010 --> 00:27:50,140 IT'S ABOUT WHAT YOUR FRIEND BURKE DID. 517 00:27:50,180 --> 00:27:52,610 I DON'T KNOW NOTHING ABOUT THAT. 518 00:27:52,650 --> 00:27:54,450 I'M OPENING THE DOOR FOR YOU, GALLAGHER. 519 00:27:54,480 --> 00:27:56,710 YOUR FRIEND'S GOT HALF A BRAIN. 520 00:27:56,750 --> 00:28:00,660 YOU SEEM SMART ENOUGH TO STEP THROUGH THE DOOR I'M OPENING FOR YOU. 521 00:28:00,680 --> 00:28:03,450 AND WHAT DOOR IS THAT? 522 00:28:03,480 --> 00:28:05,450 BURKE HAD DIRT FROM THE LOT 523 00:28:05,480 --> 00:28:06,610 WHERE THAT WOMAN GOT BURNED 524 00:28:06,650 --> 00:28:08,310 ALL OVER HIS CLOTHES. 525 00:28:08,350 --> 00:28:10,310 WE KNOW WHAT HE DID TO THAT WOMAN, 526 00:28:10,350 --> 00:28:12,310 AND WE KNOW YOU WERE WITH HIM. 527 00:28:12,350 --> 00:28:13,910 I HAVEN'T SEEN BURKE. 528 00:28:13,950 --> 00:28:16,250 I GOT EVIDENCE PUTTING YOU AT THE SCENE 529 00:28:16,280 --> 00:28:18,250 WHERE MRS. DELGADO GOT MURDERED. 530 00:28:18,280 --> 00:28:20,980 A WITNESS SAW YOU AND BURKE SHOVE HER IN A CAR. 531 00:28:21,020 --> 00:28:22,420 DIDN'T SEE ME. 532 00:28:22,450 --> 00:28:24,050 I HAVEN'T SEEN BURKE. 533 00:28:24,080 --> 00:28:25,580 LISTEN TO ME. 534 00:28:25,620 --> 00:28:28,920 I LOOK AT YOU, AND I LOOK AT BURKE. 535 00:28:28,950 --> 00:28:31,750 BURKE'S GOT THAT DIRT ALL OVER HIS CLOTHES. 536 00:28:31,780 --> 00:28:34,550 YOU GOT NO DIRT AT ALL. 537 00:28:34,580 --> 00:28:37,310 WHO DO YOU THINK I THINK DID THIS CRIME? 538 00:28:37,350 --> 00:28:41,110 IF YOU KNOW HE DID IT, WHAT DO YOU NEED ME FOR? I NEED A WITNESS. 539 00:28:41,150 --> 00:28:44,980 YOU WANT ME TO BE A WITNESS TO WHAT BURKE DID. 540 00:28:45,020 --> 00:28:46,760 DID YOU SEE HIM KILL HER? 541 00:28:46,780 --> 00:28:48,780 I'M TRYING TO SAVE YOUR LIFE. 542 00:28:48,820 --> 00:28:51,460 YOU THINK I'M A MORON LIKE HIM? 543 00:28:51,480 --> 00:28:52,980 YOU THINK I'D PUT MYSELF AT THE SCENE? 544 00:28:53,020 --> 00:28:54,590 AS A WITNESS. 545 00:28:54,620 --> 00:28:58,120 I'M ASKING FOR A WITNESS STATEMENT, NOT A CONFESSION. 546 00:28:58,150 --> 00:29:00,050 A WITNESS STATEMENT. 547 00:29:00,080 --> 00:29:01,480 SURE. 548 00:29:01,520 --> 00:29:04,460 LIKE I DON'T KNOW WHAT ACTING IN CONCERT MEANS. 549 00:29:04,480 --> 00:29:06,580 LIKE I DON'T KNOW JUST BEING THERE 550 00:29:06,620 --> 00:29:08,790 PUTS ME AWAY, TOO. 551 00:29:08,820 --> 00:29:12,320 I'M DEALING WITH A REAL FIRST‐RATE MIND, AREN'T I? 552 00:29:12,350 --> 00:29:13,280 YEAH... 553 00:29:13,320 --> 00:29:16,590 GOOD ENOUGH FOR YOU. 554 00:29:16,620 --> 00:29:18,720 HEY, JAMES, CAN I TALK TO YOU? 555 00:29:18,750 --> 00:29:20,110 SURE. 556 00:29:20,150 --> 00:29:23,580 I'M GOING TO TAKE A PASS ON SPARRING TONIGHT. 557 00:29:23,620 --> 00:29:26,960 IN FACT, MY SCHEDULE'S GETTING PRETTY CROWDED. 558 00:29:26,980 --> 00:29:29,450 WE'D BETTER PASS ON WORKING OUT TOGETHER. 559 00:29:29,480 --> 00:29:31,450 ALL RIGHT. IF THAT'S WHAT YOU WANT. 560 00:29:31,480 --> 00:29:33,410 THANKS FOR WORKING OUT WITH ME. 561 00:29:33,450 --> 00:29:36,410 SORRY THINGS GOT ROUGH A FEW TIMES. 562 00:29:36,450 --> 00:29:37,580 WE'RE DIFFERENT WEIGHT CLASSES. 563 00:29:37,620 --> 00:29:39,920 YOU PROBABLY DON'T REALIZE YOUR OWN STRENGTH. 564 00:29:39,950 --> 00:29:41,280 I SOMETIMES FELT LIKE 565 00:29:41,320 --> 00:29:43,920 YOU GOT A LITTLE CARRIED AWAY. 566 00:29:43,950 --> 00:29:45,280 I DON'T DISAGREE. 567 00:29:45,320 --> 00:29:47,460 I DON'T THINK WE SHOULD KEEP SPARRING. 568 00:29:47,480 --> 00:29:48,710 NO PROBLEM. 569 00:29:48,750 --> 00:29:49,650 HEY, JAMES. 570 00:29:49,680 --> 00:29:50,650 YEAH? 571 00:29:50,680 --> 00:29:52,480 YOU NEED A MANAGER? 572 00:29:53,950 --> 00:29:58,210 OH, DETECTIVE, THERE'S A CURTIS CANGELOSI DOWNSTAIRS. 573 00:29:58,250 --> 00:30:02,080 HE WANTS TO TALK TO YOU. 15th DETECTIVE SQUAD. CAN I HELP YOU? 574 00:30:02,120 --> 00:30:03,420 HEY, WHERE WERE YOU? 575 00:30:03,450 --> 00:30:04,280 CANGELOSI. 576 00:30:12,020 --> 00:30:14,090 HOW'S IT GOING, CURTIS? 577 00:30:14,120 --> 00:30:17,090 YEAH. I'M BACK. AND I TALKED WITH MY FRIEND. 578 00:30:17,120 --> 00:30:18,120 LET'S TALK UPSTAIRS. 579 00:30:18,150 --> 00:30:20,250 AM I UNDER ARREST? 580 00:30:20,280 --> 00:30:24,550 NO. WE JUST WANTED TO HEAR WHAT YOU GOT TO SAY, THAT'S ALL. 581 00:30:24,580 --> 00:30:28,080 YOU'RE ALL SO WRONG. ALL THE GRIEF YOU PUT ME THROUGH WAS FOR NOTHING. 582 00:30:28,120 --> 00:30:29,300 WHAT DID TONY SAY? 583 00:30:29,320 --> 00:30:33,010 HE WAS THERE, PULLING DOORS OPEN, 584 00:30:33,050 --> 00:30:35,140 YELLING FOR PEOPLE IN THE APARTMENT NEXT‐DOOR TO GET OUT. 585 00:30:35,170 --> 00:30:38,030 WHY'D HE TELL YOU HE GOT BURNED BY A WATER HEATER? 586 00:30:39,700 --> 00:30:41,730 HE DIDN'T TELL ME HOW HE GOT BURNED. 587 00:30:41,770 --> 00:30:43,400 HE JUST SAID HE HAD AN ACCIDENT. 588 00:30:43,420 --> 00:30:46,710 I MADE IT UP ABOUT THE WATER HEATER. 589 00:30:46,740 --> 00:30:48,880 WHY DIDN'T HE TELL YOU THE TRUTH ABOUT THOSE BURNS? 590 00:30:48,920 --> 00:30:51,830 MAYBE HE DIDN'T JUST HAPPEN BY THE CRIME AT ALL. 591 00:30:51,870 --> 00:30:55,470 MAYBE HE WAS THERE 592 00:30:55,500 --> 00:30:57,240 WITH HIS GASOLINE CAN LIKE HIS UNCLE ASKED. 593 00:30:57,280 --> 00:30:59,320 THAT'S NOT WHAT HAPPENED. 594 00:30:59,350 --> 00:31:01,710 THIS GUY'S MY FRIEND, 595 00:31:01,750 --> 00:31:03,910 AND HE EXPLAINED WHAT HE WAS DOING THERE. 596 00:31:03,950 --> 00:31:04,910 CURTIS... 597 00:31:04,950 --> 00:31:06,550 WHAT DID HE SAY 598 00:31:06,580 --> 00:31:09,110 WHEN YOU TOLD HIM WE'D BEEN TALKING TO YOU? 599 00:31:09,150 --> 00:31:10,650 THAT'S WHEN HE EXPLAINED. 600 00:31:10,680 --> 00:31:13,410 AND AFTER THE RIDE YOU PEOPLE GAVE ME, 601 00:31:13,450 --> 00:31:15,780 I UNDERSTAND WHY HE DIDN'T GO NEAR YOU. 602 00:31:15,820 --> 00:31:18,420 NOW, YOU FILING CHARGES AGAINST ME? 603 00:31:19,820 --> 00:31:23,320 NO. NO ONE'S FILED CHARGES AGAINST YOU YET, CURTIS. 604 00:31:23,350 --> 00:31:25,250 THANKS FOR YOUR COOPERATION. 605 00:31:29,020 --> 00:31:30,760 I'M OUT OF HERE. 606 00:31:36,320 --> 00:31:37,960 BACK HERE AGAIN, HUH? 607 00:31:37,980 --> 00:31:41,510 YEAH. I TOLD THEM, TONY. I TOLD THEM WHY YOU WERE THERE. 608 00:31:44,450 --> 00:31:47,350 YEAH, RIGHT. RIGHT. 609 00:31:48,850 --> 00:31:51,650 ALL RIGHT, THANKS, GUYS. 610 00:31:51,680 --> 00:31:53,080 I'M DETECTIVE SIMONE, TONY. 611 00:31:53,120 --> 00:31:55,820 THIS IS FIRE MARSHAL HAUSER, DETECTIVE RUSSELL. 612 00:31:55,850 --> 00:31:58,410 YOUR NAME HAS BEEN BROUGHT UP IN AN INVESTIGATION 613 00:31:58,450 --> 00:32:01,210 ‐ INTO A FIRE LAST WEEK ON 7th STREET. ‐ IN WHAT REGARD? 614 00:32:01,250 --> 00:32:04,780 ‐ YOUR UNCLE LEO, HE'S THE OWNER OF THAT BUILDING? ‐ NO. 615 00:32:04,820 --> 00:32:08,120 ‐ HE'S PARTNERS WITH MARTIN LASKY. ‐ SO WHAT? 616 00:32:08,150 --> 00:32:09,710 WE GOT YOU AT THE SCENE, 617 00:32:09,750 --> 00:32:11,910 LEAVING AT THE TIME THE FIRES BROKE OUT. 618 00:32:11,950 --> 00:32:15,780 YOU GUYS BROUGHT BACK CURTIS CANGELOSI AGAIN, HUH? 619 00:32:15,820 --> 00:32:18,720 YOU THE GIRL HE TRIED TO HELP OUT WITH THAT SODA PROBLEM? 620 00:32:18,750 --> 00:32:22,280 ‐ LISTEN, TONY‐‐ ‐ WHAT ARE YOU TRYIN' TO DO TO THIS POOR MUTT, HUH? 621 00:32:22,320 --> 00:32:24,160 THAT "MUTT" STOOD UP FOR YOU. 622 00:32:24,180 --> 00:32:26,150 HE EXPLAIN WHY I WAS THERE? 623 00:32:26,180 --> 00:32:29,750 OH, YEAH. YOU WERE WALKING BY YOUR PART‐OWNER UNCLE'S BUILDING 624 00:32:29,780 --> 00:32:31,750 WHEN IT JUST HAPPENED TO CATCH ON FIRE. 625 00:32:31,780 --> 00:32:33,810 YOU BURNED YOUR HANDS TRYING TO GET PEOPLE OUT. 626 00:32:33,850 --> 00:32:35,480 THAT MAKES ME A BAD GUY? 627 00:32:35,520 --> 00:32:38,120 NOT A BAD GUY. JUST A BAD ARSONIST. 628 00:32:38,150 --> 00:32:41,010 THAT FIRE MUST'VE GONE UP BEFORE YOU WERE READY. 629 00:32:42,750 --> 00:32:44,280 ALL RIGHT. HERE'S WHAT HAPPENED. 630 00:32:44,320 --> 00:32:45,560 ONE TIME. 631 00:32:45,580 --> 00:32:47,910 I'M STANDING OUT IN FRONT OF MY HOUSE, 632 00:32:47,950 --> 00:32:51,110 WHICH WAS DOWNWIND THAT NIGHT. I SMELL SMOKE. 633 00:32:51,150 --> 00:32:53,480 I SEE FLAMES. I GET OVER THERE AS QUICK AS I CAN, 634 00:32:53,520 --> 00:32:55,290 TRY TO HELP PEOPLE OUT. 635 00:32:55,320 --> 00:32:56,720 WITH ALL THAT HEROIC CONDUCT, 636 00:32:56,750 --> 00:32:59,280 YOU COULD'VE HELPED OUT ON THAT INVESTIGATION. 637 00:32:59,320 --> 00:33:02,960 I DIDN'T SEE NOTHING. BY THE TIME I GET THERE, THE PLACE IS HALF GONE. 638 00:33:02,980 --> 00:33:05,980 HOW IS IT YOU GOT YOUR HANDS BURNED, TONY...EXACTLY? 639 00:33:06,020 --> 00:33:09,420 I FELL DOWN AFTER I KICKED DOWN A DOOR. HIT SOMETHING. 640 00:33:09,450 --> 00:33:12,950 NOT BY DROPPING A MATCH INTO A POOL OF GASOLINE? 641 00:33:12,980 --> 00:33:15,310 LOOK... I COME DOWN HERE WITH THOSE GUYS, 642 00:33:15,350 --> 00:33:17,150 THOUGHT MAYBE I COULD HELP. 643 00:33:17,180 --> 00:33:19,310 I CAN SEE THAT WON'T BE THE CASE. 644 00:33:19,350 --> 00:33:20,710 WAIT. WHERE YOU GOING? 645 00:33:20,750 --> 00:33:22,650 WHAT, AM I UNDER ARREST? 646 00:33:22,680 --> 00:33:24,350 NO. GET OUT OF HERE. 647 00:33:43,280 --> 00:33:45,610 YOU WANT SOMETHING TO EAT NOW, BURKE? 648 00:33:45,650 --> 00:33:47,250 THEY GET YOU DOWN THERE, 649 00:33:47,280 --> 00:33:49,910 IT MIGHT BE A WHILE BEFORE YOU'RE NEAR ANY FOOD. 650 00:33:49,950 --> 00:33:50,910 DOWN WHERE? 651 00:33:50,950 --> 00:33:52,780 COME ON, BURKE. 652 00:33:52,820 --> 00:33:55,260 GALLAGHER DID JUST WHAT WE KNEW HE WAS GONNA DO. 653 00:33:55,280 --> 00:33:57,610 HE GAVE YOU TO US ALL THE WAY. 654 00:33:57,650 --> 00:34:02,450 I'LL TELL YOU, HE'S GOT A NICE EYE FOR DETAIL... 655 00:34:02,480 --> 00:34:05,810 HOW YOU CUT OFF THE DOG'S HEAD AND PUT IT ON THEIR PORCH 656 00:34:05,850 --> 00:34:07,780 WITH HIM ASKING YOU NOT TO... 657 00:34:07,820 --> 00:34:09,560 CHOPPING OFF THAT WOMAN'S FINGERS 658 00:34:09,580 --> 00:34:12,110 WHILE SHE WAS STILL ALIVE, KNOCKING HER TEETH OUT 659 00:34:12,150 --> 00:34:13,780 WHILE SHE'S SCREAMING ALL THE TIME FOR MERCY‐‐ 660 00:34:13,820 --> 00:34:15,060 NO, L‐‐ 661 00:34:15,080 --> 00:34:16,810 THAT'S HEADLINE STUFF, BURKE. 662 00:34:16,850 --> 00:34:19,210 THAT'S GONNA EARN YOU AN INJECTION, 663 00:34:19,250 --> 00:34:22,280 COURTESY OF MY HERO GOVERNOR PATAKI. HE'S LYING! 664 00:34:22,320 --> 00:34:24,620 THEY DO IT BY INJECTION NOW‐‐ LIKE AT THE VET. 665 00:34:24,650 --> 00:34:27,180 HE'S LYING! WAIT, WAIT, WAIT. WAIT. 666 00:34:28,950 --> 00:34:30,880 IF I KNOCKED HER TEETH OUT, 667 00:34:30,920 --> 00:34:32,290 YOU SHOULD ASK GALLAGHER 668 00:34:32,320 --> 00:34:35,320 WHY HE'S GOT THAT LADY'S GOLD TEETH IN HIS APARTMENT! 669 00:34:39,180 --> 00:34:40,950 WHERE IN HIS APARTMENT? 670 00:34:40,980 --> 00:34:42,750 HE KNOCKED HER TEETH OUT, 671 00:34:42,780 --> 00:34:45,250 AND HE HAS THEM IN A COFFEE CAN. 672 00:34:55,320 --> 00:34:56,890 LIEUTENANT. 673 00:34:56,910 --> 00:34:59,250 THAT HALF‐WIT BURKE SAYS MRS. DELGADO'S TEETH 674 00:34:59,280 --> 00:35:01,080 ARE OVER AT GALLAGHER'S APARTMENT. 675 00:35:01,110 --> 00:35:03,710 THAT WOULD GIVE US ENOUGH CORROBORATION TO ARREST. 676 00:35:03,750 --> 00:35:06,710 I'M GOING TO GET A SEARCH WARRANT AUTHORIZATION. 677 00:35:06,750 --> 00:35:09,250 I UNDERSTAND. WHATEVER YOU CAN DO TO HELP ME ON THIS. 678 00:35:09,280 --> 00:35:12,050 O.K. I GOT TO GET BACK TO YOU. 679 00:35:12,080 --> 00:35:14,280 HEY, WHAT'S GOING ON, CURTIS? 680 00:35:14,310 --> 00:35:16,480 I WANT TO TELL YOU SOMETHING, ALL RIGHT? 681 00:35:16,510 --> 00:35:18,880 SURE. SIT DOWN. I'M GOING TO TELL YOU SOMETHING. 682 00:35:18,910 --> 00:35:21,080 I WANT YOU TO TELL TONY MEDICI SOMETHING. 683 00:35:21,110 --> 00:35:23,480 ASK HIM A QUESTION. WHAT'S THAT? 684 00:35:23,510 --> 00:35:25,650 WHAT? WHAT DO YOU WANT ME TO ASK HIM? 685 00:35:25,680 --> 00:35:27,980 YOU ASK HIM THIS. YOU ASK HIM‐‐ 686 00:35:30,950 --> 00:35:34,110 YOU ASK HIM‐‐ MAYBE I AM A LOSER. 687 00:35:34,150 --> 00:35:36,910 MAYBE I'M NEVER GONNA BE ANYTHING MORE THAN A BARTENDER. 688 00:35:36,950 --> 00:35:38,480 WHAT DIFFERENCE DOES IT MAKE 689 00:35:38,510 --> 00:35:40,880 WHERE A LOSER LIKE ME MAKES DRINKS, RIGHT? 690 00:35:40,910 --> 00:35:43,480 BUT YOU ASK HIM THIS. 691 00:35:43,510 --> 00:35:46,250 A‐‐ I NEVER THREATENED A FRIEND... OR CALLED HIM A MORON 692 00:35:46,280 --> 00:35:48,550 OR TOLD HIM THAT HIS LIFE WAS GARBAGE. 693 00:35:48,580 --> 00:35:50,810 DID TONY COME TO SEE YOU? 694 00:35:50,850 --> 00:35:54,150 BECAUSE I DON'T HAPPEN TO THINK THAT MY LIFE'S A WASTE... 695 00:35:54,180 --> 00:35:55,780 IS‐‐IS NUMBER ONE. 696 00:35:55,810 --> 00:35:57,580 I MEAN, IT'S PRETTY OBVIOUS 697 00:35:57,610 --> 00:36:00,610 THAT‐‐THAT I DON'T ALWAYS SEE EVERY ANGLE, RIGHT? 698 00:36:00,650 --> 00:36:03,580 I DIDN'T REALIZE YOUR PRETTY LADY FRIEND WAS A COP, RIGHT? 699 00:36:03,610 --> 00:36:06,580 I TRIED TO HELP HER AND GOT HUNG UP FOR THAT. 700 00:36:06,610 --> 00:36:09,580 AND NOW I GET CALLED A $5.00‐AN‐HOUR LOSER 701 00:36:09,610 --> 00:36:12,210 AND TOLD THAT I GOT TO LEAVE TOWN 702 00:36:12,250 --> 00:36:14,980 BECAUSE I TRIED TO DO SOMEBODY A FAVOR 703 00:36:15,010 --> 00:36:18,980 AND HE THINKS I'M TRYING TO JAM HIM UP? SCREW HIM AND NEW YORK. 704 00:36:19,010 --> 00:36:20,950 WHAT HAPPENED? DID HE THREATEN YOU? 705 00:36:20,980 --> 00:36:22,380 I'LL TELL YOU SOMETHING. 706 00:36:22,410 --> 00:36:25,480 I'VE BEEN IN SEVERAL CITIES I LIKE AS GOOD AS NEW YORK, 707 00:36:25,510 --> 00:36:28,310 WITH BETTER WEATHER. 708 00:36:28,350 --> 00:36:29,950 AND YOU TELL HIM... 709 00:36:29,980 --> 00:36:32,810 YOU TELL HIM... IF I'M SUCH A LOSER, 710 00:36:32,850 --> 00:36:36,450 HOW COME I'M GONNA BE TENDING BAR SOMEPLACE WHERE HE CAN'T FIND ME 711 00:36:36,480 --> 00:36:39,610 AND HE IS WHERE HE IS BECAUSE OF WHAT HIM AND HIS UNCLE DID? 712 00:36:39,650 --> 00:36:41,310 CURTIS... WHAT DID HE SAY? 713 00:36:43,250 --> 00:36:45,950 LET'S JUST SAY THAT, UM... 714 00:36:45,980 --> 00:36:48,980 I DON'T REALLY BELIEVE THAT HE WAS THERE BY ACCIDENT. 715 00:36:49,010 --> 00:36:50,910 HIS UNCLE WASN'T OUT OF TOWN. 716 00:36:50,950 --> 00:36:54,210 THIS TIME HE SAID HIS UNCLE NEARLY DIED IN THAT FIRE. 717 00:36:54,250 --> 00:36:56,110 HE SAVED HIS UNCLE'S LIFE. 718 00:36:56,150 --> 00:37:00,280 ‐ THAT'S GONNA HELP US, CURTIS. ‐ I DON'T WANNA HELP ANYBODY. 719 00:37:00,310 --> 00:37:03,110 THAT'S HOW I GET IN TROUBLE. 720 00:37:11,450 --> 00:37:12,780 WHAT WAS THAT? 721 00:37:12,810 --> 00:37:15,610 THAT TORCH'S UNCLE WAS SUPPOSED TO BE OUT OF TOWN? 722 00:37:15,650 --> 00:37:18,210 IT'S HEARSAY, BUT OUR BARTENDER'S GOT HIM IN TOWN 723 00:37:18,250 --> 00:37:20,580 AT THE FIRE WITH HIS HANDS BURNED. 724 00:37:20,610 --> 00:37:21,950 GOT THE UNCLE'S ADDRESS? 725 00:37:21,980 --> 00:37:23,150 YEAH. 726 00:37:23,180 --> 00:37:25,250 LET'S PICK HIM UP. 727 00:37:42,810 --> 00:37:45,310 I READ ABOUT PEOPLE LIKE YOU IN BOOKS. 728 00:37:45,350 --> 00:37:48,550 EVIL GENIUSES. 729 00:37:48,580 --> 00:37:51,650 I'M GONNA TELL YOU THE TRUTH. I WALKED OUT OF HERE, 730 00:37:51,680 --> 00:37:53,610 WENT TO THE LAVATORY AND WEPT. 731 00:37:53,650 --> 00:37:55,580 THAT'S HOW CONFUSED YOU HAD ME. 732 00:37:55,610 --> 00:37:58,610 I'D BE TRYING TO MOVE YOU, I'D COME AROUND THE CORNER, 733 00:37:58,650 --> 00:38:01,080 AND THERE YOU WERE, SEVEN STEPS AHEAD OF ME. 734 00:38:01,110 --> 00:38:03,480 WHEN AM I GETTING OUT? 735 00:38:03,510 --> 00:38:05,110 NO. YOU DON'T GET OUT. 736 00:38:05,150 --> 00:38:06,810 YOU DON'T GET OUT, GALLAGHER. 737 00:38:07,910 --> 00:38:09,980 THEN I WANT A LAWYER. 738 00:38:10,010 --> 00:38:11,980 ABSOLUTELY. I'M GOING TO GET YOU 739 00:38:12,010 --> 00:38:14,380 ONE OF OUR TOP LEGAL AID GUYS 740 00:38:14,410 --> 00:38:16,980 WITH GRAVY STAINS ON HIS SHIRT. 741 00:38:17,010 --> 00:38:19,550 AND I DON'T WANT YOU TO SAY A WORD 742 00:38:19,580 --> 00:38:21,950 OR IN ANY WAY JEOPARDIZE YOUR CONSTITUTIONAL RIGHTS, 743 00:38:21,980 --> 00:38:24,280 BECAUSE A FELLA LIKE YOU, HUH? 744 00:38:24,310 --> 00:38:26,950 THAT'LL MURDER AND BURN A WOMAN... 745 00:38:26,980 --> 00:38:29,650 CUT THE HEAD OFF HER DOG, 746 00:38:29,680 --> 00:38:31,280 KNOCK HER TEETH OUT, 747 00:38:31,310 --> 00:38:32,910 CUT HER FINGERS OFF 748 00:38:32,950 --> 00:38:35,880 SO SHE WON'T SAY HOW YOU BROKE INTO HER HOUSE, 749 00:38:35,910 --> 00:38:39,880 WHERE HER AND HER HUSBAND ARE TRYING TO LIVE A DECENT LIFE... 750 00:38:39,910 --> 00:38:41,710 A GREAT MAN LIKE YOU, GALLAGHER, 751 00:38:41,750 --> 00:38:45,480 A HUGE GENIUS, TO ONLY BE TRIPPED UP BECAUSE, 752 00:38:45,510 --> 00:38:47,450 BESIDES BEING A SCUMBAG PSYCHO, 753 00:38:47,480 --> 00:38:49,450 YOU'RE A CHEAP PIECE OF CRAP, 754 00:38:49,480 --> 00:38:52,450 AND YOU KEEP THIS POOR WOMAN'S GOLD TEETH 755 00:38:52,480 --> 00:38:54,880 IN AN OLD COFFEE CAN! 756 00:38:54,910 --> 00:38:58,450 I WANT YOU TO TAKE FULL ADVANTAGE OF OUR LEGAL RESOURCE! 757 00:38:58,480 --> 00:39:01,410 NOW, YOU UTTER NO WORD UNTIL YOUR LAWYER GETS HERE. 758 00:39:01,450 --> 00:39:05,110 ALL I WANT YOU TO DO IS TO STARE AT THIS TOOTH 759 00:39:05,150 --> 00:39:07,550 THAT YOU GOUGED OUT OF THIS WOMAN'S MOUTH. 760 00:39:07,580 --> 00:39:10,110 ARE YOU LOOKING AT THIS, GALLAGHER, HUH? 761 00:39:10,150 --> 00:39:12,480 GALLAGHER, ARE YOU LOOKING AT THIS? 762 00:39:12,510 --> 00:39:14,150 DO NOT SAY ONE WORD. 763 00:39:14,180 --> 00:39:16,150 YOU JUST NOD YOUR HEAD. 764 00:39:16,180 --> 00:39:18,480 ARE YOU LOOKING AT IT, GALLAGHER? 765 00:39:22,150 --> 00:39:23,480 [BREATHES HEAVILY] 766 00:39:23,510 --> 00:39:24,750 OHH... 767 00:39:24,780 --> 00:39:27,110 I'M GOING TO GET A MIGRAINE TONIGHT 768 00:39:27,150 --> 00:39:29,680 'CAUSE I DIDN'T BEAT YOU. 769 00:39:30,780 --> 00:39:32,680 [DROPS TOOTH IN CAN] 770 00:39:46,450 --> 00:39:47,810 HEY, BOBBY. 771 00:39:47,850 --> 00:39:50,210 NEED ANY HELP WITH THE ON‐LINE BOOKING REPORT? 772 00:39:50,250 --> 00:39:52,310 NO, THANKS. I'M ALMOST DONE HERE. 773 00:39:52,350 --> 00:39:53,650 TAKING OFF? 774 00:39:53,680 --> 00:39:55,980 YEAH, I THINK SO. 775 00:39:56,010 --> 00:39:59,310 YEAH, I'M GONNA TAKE OFF AS SOON AS I FINISH HERE. 776 00:39:59,350 --> 00:40:02,050 WAIT TEN MINUTES, MAYBE WE CAN GRAB DINNER TOGETHER. 777 00:40:02,080 --> 00:40:04,250 SURE. I GOT TEN MINUTES. 778 00:40:04,280 --> 00:40:05,380 GREAT. 779 00:40:05,410 --> 00:40:06,680 ALL RIGHT. 780 00:40:07,980 --> 00:40:09,780 WHY AM I SITTING HERE? 781 00:40:09,810 --> 00:40:13,550 DO YOU REALIZE HOW FAR BACK I GO WITH THIS GUY? 782 00:40:13,580 --> 00:40:15,610 HE SAID YOU WAIT. 783 00:40:15,650 --> 00:40:19,110 SINCE BEFORE YOU GOT YOUR TUSHY PINCHED, THAT'S HOW FAR BACK. 784 00:40:19,150 --> 00:40:21,710 DO I HAVE YOU THROWN OUT? I'M SORRY. 785 00:40:21,750 --> 00:40:23,380 VINNY, IN THE HALL. 786 00:40:23,410 --> 00:40:27,380 LIEUTENANT, PLEASE. YOU DO ME THE COURTESY HERE. 787 00:40:27,410 --> 00:40:30,610 I UNDERSTAND THERE'S BEEN A BREAK IN THE ARSON CASE. 788 00:40:30,650 --> 00:40:32,880 TONY AND HIS UNCLE ARE BEING QUESTIONED? 789 00:40:32,910 --> 00:40:35,810 YEAH. LOOKS PRETTY GOOD. PROBABLY TAKE A FEW DAYS TO DEVELOP. 790 00:40:35,850 --> 00:40:38,580 COULD YOU TALK TO THE RELEVANT PARTIES FOR ME? 791 00:40:38,610 --> 00:40:39,950 VINNY, YOU GOT YOURS. 792 00:40:39,980 --> 00:40:42,150 I GOT FOR MY INITIAL IMPETUS, 793 00:40:42,180 --> 00:40:44,810 NOT FOR MY SPECIFIC CONTRIBUTION TO THE HAPPY ENDING. 794 00:40:44,850 --> 00:40:47,050 LOOK, I'LL TRY TO GET YOU ANOTHER TASTE. 795 00:40:47,080 --> 00:40:48,310 SOMETIME TODAY? 796 00:40:48,350 --> 00:40:49,950 WHEN IT WRAPS, VINNY. 797 00:40:49,980 --> 00:40:53,650 THANKS, LIEU. GOOD, GOOD, GOOD. VERY GRATEFUL. 798 00:40:57,350 --> 00:41:00,450 [GRUNTING] 799 00:41:00,480 --> 00:41:02,280 O.K. GOOD, JAMES. AGAIN. 800 00:41:04,980 --> 00:41:07,810 O.K., AGAIN, NOW CROSS. 801 00:41:07,850 --> 00:41:10,480 NOW SET UP YOUR RIGHT WITH YOUR SECOND JAB! 802 00:41:10,510 --> 00:41:12,980 THAT'S WHAT I'M TRYING TO DO! 803 00:41:13,010 --> 00:41:14,980 THERE YOU GO! THAT'S WHAT I JUST DID! 804 00:41:15,010 --> 00:41:16,980 THIS TIME YOU WERE PISSED OFF. 805 00:41:17,010 --> 00:41:18,110 I'M SORRY. 806 00:41:18,150 --> 00:41:21,450 YOU GOT TO BE PISSED OFF. HERE IT'S O. K. 807 00:41:21,480 --> 00:41:22,580 I KNOW THAT. 808 00:41:22,610 --> 00:41:24,410 BUT YOU DON'T DO IT. 809 00:41:24,450 --> 00:41:26,710 I'M DOING THE TOURNAMENT FOR A LITTLE FUN. 810 00:41:26,750 --> 00:41:28,610 IF I HAVE TO GET PISSED OFF, 811 00:41:28,650 --> 00:41:30,580 MAYBE I SHOULD BE RIDING MY BIKE. 812 00:41:30,610 --> 00:41:32,380 THE GUY SMACKING YOU AROUND 813 00:41:32,410 --> 00:41:34,950 AIN'T GOING TO BE THINKING ABOUT RIDING NO BICYCLE. 814 00:41:34,980 --> 00:41:38,480 HE'LL BE THINKING ABOUT THAT TROPHY WHILE YOU'RE LAYING ON THE CANVAS. 815 00:41:38,510 --> 00:41:40,980 ‐ YOU WANT TO DO THIS? ‐ YEAH, I WANNA DO IT. 816 00:41:41,010 --> 00:41:43,150 OTHERWISE, GET ON YOUR SCHWINN. I SAID I WANNA DO IT! 817 00:41:43,180 --> 00:41:46,450 THEN SHOW ME SOMETHING. DOUBLE UP AND CROSS. 818 00:41:47,350 --> 00:41:48,780 ALL RIGHT! 819 00:41:48,810 --> 00:41:50,480 ALL RIGHT, BETTER. 820 00:41:50,510 --> 00:41:53,080 [GRUNTING] COME ON! YEAH! 821 00:41:53,110 --> 00:41:54,850 THAT'S MORE LIKE IT. 822 00:42:05,980 --> 00:42:08,410 HE PROBABLY WOULD'VE LEFT TOWN ANYWAY. 823 00:42:09,910 --> 00:42:12,150 THE BARTENDER. CANGELOSI? 824 00:42:13,910 --> 00:42:15,880 YEAH. 825 00:42:15,910 --> 00:42:17,850 YEAH, I THINK HE PROBABLY WOULD HAVE. 826 00:42:24,250 --> 00:42:25,450 IT'S LATE. 827 00:42:29,110 --> 00:42:31,710 DOES THAT MATTER? 828 00:42:31,750 --> 00:42:33,450 'CAUSE IT DOESN'T MATTER TO ME. 829 00:42:35,510 --> 00:42:37,780 AND IF IT DOESN'T MATTER TO ME EITHER... 830 00:42:39,310 --> 00:42:40,080 THEN WHAT? 831 00:42:43,810 --> 00:42:46,180 I DON'T LIVE THAT FAR FROM HERE. 832 00:42:53,780 --> 00:42:55,750 ISN'T THIS ONE OF THOSE THINGS 833 00:42:55,780 --> 00:42:58,080 WE SWEAR TO OURSELVES WE'RE GOING TO AVOID? 834 00:42:58,110 --> 00:43:00,450 YEAH. 835 00:43:00,480 --> 00:43:02,150 BUT LET'S DO IT ANYWAY. 836 00:43:05,480 --> 00:43:06,810 LET'S GET THE CHECK. 837 00:43:23,180 --> 00:43:24,450 OHH! 838 00:43:39,680 --> 00:43:41,950 YOU'RE NOT MARRIED, ARE YOU? 839 00:43:41,980 --> 00:43:43,110 HMM? 840 00:43:46,250 --> 00:43:48,510 YOU‐‐YOU THINK I'D DO THAT? 841 00:43:51,610 --> 00:43:52,650 NO. 842 00:43:55,010 --> 00:43:56,110 MM‐MM. 843 00:43:57,180 --> 00:43:59,110 NO. 844 00:43:59,150 --> 00:44:00,450 O.K. 845 00:44:01,980 --> 00:44:05,810 SO NOW THAT YOU KNOW I'M FREE AND CLEAR... 846 00:44:05,850 --> 00:44:08,310 DOES THAT MEAN WE'RE, UH... 847 00:44:09,810 --> 00:44:12,380 WELL, THAT YOU'RE GOING TO SEE ME AGAIN? 848 00:44:12,410 --> 00:44:14,810 YOU MIGHT NOT BE MARRIED, BUT... 849 00:44:17,250 --> 00:44:21,080 SOMETHING ABOUT YOU DOESN'T STRIKE ME AS FREE AND CLEAR. 850 00:44:23,280 --> 00:44:25,910 I DIDN'T MEAN THAT YOU HAVE A GIRLFRIEND, NECESSARILY. 851 00:44:25,950 --> 00:44:27,480 I‐‐ 852 00:44:29,610 --> 00:44:32,150 I DON'T KNOW WHAT I MEANT. 853 00:44:32,180 --> 00:44:33,150 THAT WASN'T... 854 00:44:33,180 --> 00:44:35,550 WHAT YOU ASKED ME ANYWAY, WAS IT? 855 00:44:35,580 --> 00:44:36,480 NO. 856 00:44:48,650 --> 00:44:50,950 YES, I'D LIKE TO SEE YOU AGAIN. 857 00:44:54,150 --> 00:44:56,480 I LIKE SEEING YOU NOW. 858 00:44:56,510 --> 00:44:58,310 GOOD. 859 00:45:11,580 --> 00:45:14,180 FIRST TIME'S ALWAYS THE WORST, YOU KNOW.